
Wielka Orkiestra Świątecznej Pomocy
2026

Fields of viscous white paint smear and crack upon the canvas. Connecting them are wild drips and splashes of paint. Their shape is accentuated against a blackened background and deep tones of gold.
A labyrinthian maze emerges from the layers of organic marks. The abstracted sight feels sporadic and unplanned but embodies an infectious energy. It is the intangible nature of action made manifest.

Pola lepkiej białej farby rozmazują się
i pękają na płótnie. Łączą je dzikie krople i plamy farby. Ich kształt podkreślony jest na poczerniałym tle i głębokich tonach złota. Z warstw organicznych śladów wyłania się labirynt .
Wyabstrahowany widok wydaje się sporadyczny i nieplanowany,
ale ucieleśnia zaraźliwą energię.
Jest to nieuchwytna natura ukazanego działania.
Sylwia Natalia Eyerly

Sylwia Eyerly is a Poland-based painter who explores abstraction through entrancing acrylic works.
Eyerly had an unlikely beginning to her artistic growth. Being raised in the picturesque Roztocze region of Poland, Eyerly was amazed by the landscape, play of light, and natural splendor of her home. While she has always been passionate about the Arts, her life took her down a different path. She studied Economics and Management at Bocconi University in Milan, Vienna University of Economics & Business, the Baruch College in New York, and the Warsaw School of Economics.
Beyond her education experience, Eyerly worked as a store manager for Abercrombie & Fitch, an Analyst for CBRE, an Interpreter for the US Army, and currently she works for Siemens as a Senior Logistic Specialist .
Today, she has branched beyond the confines of her business career and has grown a weekend hobby of painting.
While her work began with experimentations in figuration, with manipulations of fine line work, she turned her passion towards abstract painting in acrylic. She takes a gestural approach that uses layer and texture to instill light and movement across her works. Soft dispersed fields of paint are met with the stark mark-making exposing Eyerly’s hand.
"The desire to create is one of the deepest yearnings of the human soul." <Dieter F. Uchtdor>